Showing posts with label Warner Bros.. Show all posts
Showing posts with label Warner Bros.. Show all posts
Saturday, January 03, 2026
"The Mouse On 57th Street" Backgrounds
I was rewacthing Chuck Jones' "The Mouse On 57th Street" recently and was drawn (no pun intended) to the backgrounds. Great use of perspective, particularly for the scenes that focused on the mouse. Lots of upshots emphasizing how big the city is compared to our little drunken mouse friend. Layouts were done by Owen Fitzgerald and Maurice Noble and painted by Phil DeGuard. I assume Fitzgerald mostly did character layout. A few poses throughout the short reminded me of his posing in his Bob Hope comics. Though I have nothing docmenting that as a fact. I find this to be one of the more enjoyable of Jones' later Warner Bros. shorts.
Labels:
Backgrounds,
Chuck Jones,
Maurice Noble,
Owen Fitzgerald,
Warner Bros.
Monday, December 15, 2025
Daffy Dilly "It's shocking"
One of my favorite things about hand drawn animation is the crazy frames in between key poses or drawings done to create an effect. Things like smears, mulitples and whatever the hell you call what Jim Tyer is doing most of the time. A great example is Daffy getting electrocuted by his own hand buzzer in Chuck Jones' underrated short, "Daffy Dilly". If I recall correctly, the scene was animated by Lloyd Vaughan, or was it Phil Monroe? I'm sure someone with a keener eye can say for sure who drew the scene. Anyway, enjoy those crazy frames.
Monday, August 04, 2014
"The Draft Horse" Model Sheet
Seeing Yowp's post on Chuck Jones' "The Daft Horse" reminded me that I had scanned the model sheet from that cartoon. So here ya go.
Wednesday, December 26, 2012
"I Say, I Say... Son!"
I was finally able to get around to reading Robert McKimson Jr.'s biography of his father, Robert McKimson and uncles Tom and Chuck who all spent time as animators at Warner Bros. Though the text largely focuses on Bob McKimson, for those like me that know next to nothing about Tom or Chuck it is very informative. Starting with Bob and Tom's beginnings as assistant animators at Walt Disney Studios to their stops at Romer Grey Pictures, Harman-Ising Productions and eventually all three of them working together at Warner Bros.
The foreword was written by John Kricfalusi, of Ren and Stimpy fame, is filled with his usual enthusiasm for Bob McKimson's animation and directorial work. If you've read John's blog regularly you'll probably know there's no bigger champion of McKimson than him. The introduction is delivered by Darrel Van Citters and highlights Bob's importance to the Warner Bros. cartoons look and characters.
The book as whole mostly highlights Bob's career as and an animator and director but considering the impact the man had on probably the greatest cartoons studio ever I don't see that as a bad thing. Bob was a superior draftsman and also animated at a fast pace. Tom's work with Western Publishing gets it's own chapter, which is loaded with illustrations. Starting with his time as a freelancer to his ascension to role of art director for all the comic book lines. Chuck also started working with Western Publishing after the Warner Bros. studio closed down.
I mentioned the illustrations, and this book is loaded from cover to cover. All three McKimson's are well represented with artwork. There's loads of model sheets, layouts, animation drawings and comic book art. A lot of which I haven't seen reprinted anywhere else. I haven't had time to soak it all up, but this is definitely one of the best animation related books out there. A must for Warner Bros. fans!
The foreword was written by John Kricfalusi, of Ren and Stimpy fame, is filled with his usual enthusiasm for Bob McKimson's animation and directorial work. If you've read John's blog regularly you'll probably know there's no bigger champion of McKimson than him. The introduction is delivered by Darrel Van Citters and highlights Bob's importance to the Warner Bros. cartoons look and characters.
The book as whole mostly highlights Bob's career as and an animator and director but considering the impact the man had on probably the greatest cartoons studio ever I don't see that as a bad thing. Bob was a superior draftsman and also animated at a fast pace. Tom's work with Western Publishing gets it's own chapter, which is loaded with illustrations. Starting with his time as a freelancer to his ascension to role of art director for all the comic book lines. Chuck also started working with Western Publishing after the Warner Bros. studio closed down.
I mentioned the illustrations, and this book is loaded from cover to cover. All three McKimson's are well represented with artwork. There's loads of model sheets, layouts, animation drawings and comic book art. A lot of which I haven't seen reprinted anywhere else. I haven't had time to soak it all up, but this is definitely one of the best animation related books out there. A must for Warner Bros. fans!
Sunday, January 16, 2011
Monday, December 13, 2010
"Little Orphan Airedale" Model Sheet

I found this model sheet on my hard drive, don't know if I scanned it from a book or found it online somewhere. At first I wasn't sure what Charlie Dog cartoon it was from, I should have recognized the Porky Pig pose from the beginning of "Little Orphan Airedale". I noticed that Dave Mackey's site didn't have the production number listed for the cartoon and that this model sheet had it. "The Foxy Duckling" was production number 1031 and "Airedale", production number 1032 was released two months later. I'm sure this info is probably known to the hardcore animation geeks but I hadn't come across it anywhere. Dave's site is where I usually go for that type of info so I was suprised the number wasn't there as I assumed this model sheet has been published somewhere before.
Saturday, February 20, 2010
Randomness
Just a couple of random things. A couple of those cool background paintings from the opening of the Mighty Mouse Cartoon "Stop, Look, and Listen". Plus a clip from "The Scarlet Pumpernickel" where (out of boredom) I sped up Sylvester's voice to match Daffy's and slowed down Daffy's to match Sylvester's.




Uploaded by klangley
Saturday, December 19, 2009
Chuck Jones - "Rocket-bye Baby"
Thursday, January 22, 2009
Chuck Jones - "Scent-Imental Over You"
Wednesday, September 24, 2008
Chuck Jones - "Often An Orphan"
Monday, July 21, 2008
Art Davis - "The Rattled Rooster"
This Art Davis short may be a little weak on gags but the animation and the rooster character design help redeem it. Great stuff.
Wednesday, May 28, 2008
Yosemite Sam Model Sheets
It's been awhile since I've posted any model sheets and I was going through some folders and found these tucked away. I forgot I scanned these. The first model sheet of Yosemite Sam is really appealing, especially when compared to the one on the bottom. I also uploaded Sam's first appearance, the Freleng short "Hare Trigger". This is one of my favorite Freleng shorts.



You may have noticed my blog has been a little less active than usual. That's because I've been busy with this little guy. Say hi to Liam Avery Langley. Sorry, I had to play proud papa for a moment.
You may have noticed my blog has been a little less active than usual. That's because I've been busy with this little guy. Say hi to Liam Avery Langley. Sorry, I had to play proud papa for a moment.
Friday, May 09, 2008
A. Flea - "An Itch In Time" and "A Horsefly Fleas"
Thursday, April 10, 2008
Chuck Jones - "Case Of The Missing Hare"
I forgot I posted this on Dailymotion the other day. Does anyone know if Art Heinemann was still part of Jones' unit when this short was made? The color styling seems very similar to his other work with Jones and even with Shamus Culhane at Lantz. If not his influence is rather obvious.
Wednesday, April 02, 2008
Scribner Story Sketches
I haven't had much time to post lately because I was in the process of moving. Now that we're all settled in over here maybe I can pay this blog a little more attention. Here's three scans of Rob Scribner's story sketches from "Coal Black And The Sebben Dwarfes". These just so happen to coincide with one of my favorite scenes that Scribner animated.




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