
Thursday, April 23, 2009
"Gerald McBoing Boing's Symphony"

Wednesday, April 22, 2009
"Keep It Cool Baby"
I came across this cartoon on Youtube written by Shamus Culhane and Ruth Kneitel (Max Fleischer's daugther) and rather enjoyed it. I didn't know what to expect as I'm really unfamiliar with the cartoons made at Paramount when Culhane was running the studio. I'm not too fond of the overly simple character designs but the voice acting is great.
Sunday, March 22, 2009
Baby Huey Comic
So, the other day I actually got off my ass and left my office during lunch to take a short trip up to the Museum Of Comics and Cartoon Art to check out he Harvey Comics exhibit. Not as large of an exhibit as I thought but the original art they had was amazing. A couple of pieces by Howie Post stood out immediately and a strip from Johnny Gentilella. I had my phone with me and snapped a couple of pics. Here they are along with a Baby Huey comic from Paramount Animated Comics #4.









Monday, March 16, 2009
Art Lozzi
I was watching some Yogi shorts last week that Art Lozzi had painted backgrounds for and noticed that even though different layout artists, Tony Rivera and Ernest Nordli, worked on the shorts the backgrounds were very similar in design. Below are some examples. This got me wondering how much leeway the background artist had when painting the backgrounds. I asked Art this very question and he was kind enough (as always) to respond. Here' what Art had to say.
Hey Kevin,
Great hearing from you, nice to close the gap.
It's a steady amazement to me that you, John K and others are still interested in backgrounds that I painted more than 45 years ago. Yes, I recognize the ones you attached, and swift memories shot by. I'll try to explain the routine.
Keep in mind that Hanna and Barbera was still a new company then. There were the old-timers from MGM who worked very close to eachother and followed strict patterns: layouts, and then backgrounds (usually Bob Gentle and what's-her-name who married Ollie Hanson, -Vera Ohman). The style was established and classic and Monte went in a gave them a hand occasionally.
At the new H-B studio there was not enough time to draw and redraw the layouts. They were being done fast, and by a lot of guys, to get it all done in time. It was a grind. I liked it because we -Monte and I- were given a wide leeway as to style. This is where I began using and developing my own. ..esp with the Flintstones, etc.
I still like the Yogi ones you sent me. Thanks.
Here in Greece, they don't show the HB cartoons. I have seen only about a dozen since I've lived here. They don't even know who Yogi Bear is. So I've been totally out of the picture and in the dark.
The answer to your question is Yes, I was able to exert more control -practically total- over the backgrounds, etc. The layout guys did not establish or instist on a particular style. They more or less sketched what had to be shown... fast, fast, fast... and left the rest up to us. Thank God for Ed Benedict however, who set the first Flintstones styles. Me, I stuck to it more or less. Great stuff, and great person. But the colors and painting techniques were mine.













Also, here's one of the shorts I was watching, "A Wooin' Bruin".
Hey Kevin,
Great hearing from you, nice to close the gap.
It's a steady amazement to me that you, John K and others are still interested in backgrounds that I painted more than 45 years ago. Yes, I recognize the ones you attached, and swift memories shot by. I'll try to explain the routine.
Keep in mind that Hanna and Barbera was still a new company then. There were the old-timers from MGM who worked very close to eachother and followed strict patterns: layouts, and then backgrounds (usually Bob Gentle and what's-her-name who married Ollie Hanson, -Vera Ohman). The style was established and classic and Monte went in a gave them a hand occasionally.
At the new H-B studio there was not enough time to draw and redraw the layouts. They were being done fast, and by a lot of guys, to get it all done in time. It was a grind. I liked it because we -Monte and I- were given a wide leeway as to style. This is where I began using and developing my own. ..esp with the Flintstones, etc.
I still like the Yogi ones you sent me. Thanks.
Here in Greece, they don't show the HB cartoons. I have seen only about a dozen since I've lived here. They don't even know who Yogi Bear is. So I've been totally out of the picture and in the dark.
The answer to your question is Yes, I was able to exert more control -practically total- over the backgrounds, etc. The layout guys did not establish or instist on a particular style. They more or less sketched what had to be shown... fast, fast, fast... and left the rest up to us. Thank God for Ed Benedict however, who set the first Flintstones styles. Me, I stuck to it more or less. Great stuff, and great person. But the colors and painting techniques were mine.













Also, here's one of the shorts I was watching, "A Wooin' Bruin".
Monday, March 09, 2009
Another Mickey Model Sheet
Wednesday, February 18, 2009
Monday, February 09, 2009
Tex Avery - "Field And Scream"






Wednesday, January 28, 2009
MGM - "The Hungry Wolf"

Thursday, January 22, 2009
Chuck Jones - "Scent-Imental Over You"
Tuesday, January 13, 2009
Tuesday, January 06, 2009
Popeye Model Sheets
I received the Popeye Volume 3 DVD as a gift and have been enjoying it immensely. I wasn't as familiar with the wartime era shorts so some of the cartoons are new to me. I forgot that I have model sheets that I haven't gotten around to posting. These were sent to me by the Masked Stinker so let's all give him a big thanks for sending them. THANKS! Update: Also, many thanks to Bob Jaques for sending me a much higher quality version of the model sheet below. The copy I had was a tease, you couldn't really make out the details on these great poses.







Tuesday, December 30, 2008
Hemo The Magnificent


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